Stanley Picker Gallery presents a three-day activation of OFFSHORE.

OFFSHORE is a structure that enables EVERYONE (some of whom will have met before, some of whom will not have met) to maintain a state of rehearsal, over a number of days, in public.

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EVERYONE is…

LEGIBILITY COORDINATOR, ACCOUNTANT & ALIBI BROKER
Cally Spooner

ORGANISATION, CARE
Meret Kaufmann

DANCER, ARCHIVE
Maggie Segale

DANCER, ARCHIVE
Alice Mackenzie

DANCER, ARCHIVE
Juli Brandano

DANCER, ARCHIVE
Emily McDaniel

KEEPER OF SPACE & TIME
Jesper List Thomsen

READER WRITER DRUMMER
Lynton Talbot

VOICE
Chloé Turpin

SCORE TECHNICIAN
Roland Brauchli

ERASURE, TOUR GUIDE, ORDINARY MAN
Michelangelo Miccolis

EXTERNAL INFLUENCE / GRADATIONS OF CONTROL ON GUITAR
William Crosby

EXTERNAL INFLUENCE / GRADATIONS OF CONTROL ON CELLO
Joe Zeitlin

EXTERNAL INFLUENCE / PHILOSOPHER OF RESISTANCE
Howard Caygill

Coinciding with its launch at Stanley Picker Gallery, OFFSHORE took residency at Walmer Yard—a new building designed and crafted by Peter Salter in collaboration with Fenella Collingridge and programmed by the Baylight Foundation. Walmer Yard proposes to map a more empirical understanding of architecture, using tools from the fields of neuroscience, psychology and anthropology to inform the practical and theoretical investigations of working together. OFFSHORE IN KINGSTON included a lecture on Resistance by CREMP Philosopher, Howard Caygill, and the work ‘Improvisations out of Recitativo/Clouds and Noise – Fragments after Lucretius and Negri’ – by David Ryan (score) William Crosby (Guitar) Joe Zeitlin (Cello).