How to get paid as an artist?
What is fair pay and how to advocate for it?
What are the harsh realities of establishing and maintaining a practice within the art world?
Join us between 1-2.30pm with Stanley Picker Fellow Débora Delmar, and Kingston School of Art PhD student, artist and advocate for artists’ fair pay and condition Charlotte Warne Thomas to discuss issues around artist labour and pay. The talk will be mediated by curator Bori Borbála Soós, and will be followed by a Q&A, where you can ask any questions you may have.
The event is held as part of Delmar’s current solo exhibition ‘Trust’ at Stanley Picker Gallery which explores artistic labour within the context of her Stanley Picker Fellowship.
Débora Delmar‘s practice examines the contextual value of goods, analysing their systems of production, distribution and consumption. Through her Stanley Picker Fellowship, Delmar explored strategies of working within systems, contracts, relationships and institutions. By incorporating the contractual structure of the Fellowship and exploring how to set up a trust in her own name, she scrutinised artistic labour as a form of currency. As an outcome of her Fellowship, Delmar’s solo exhibition Trust expands on the multiple meanings of the word Trust, and build on her recent interests in how value is generated through the financial world, as well as through physical and symbolic impacts of architecture present in gentrification, consumerism and surveillance in the urban environment.
Charlotte Warne Thomas‘ practice investigates the relationships between labour, work and care to disrupt perceptions of value through a feminist lens. Her PhD at Kingston University focusses on invisible labour, both women’s and parents’ unpaid familial care and that of women artists whose work continues to be overlooked and undervalued by a market-oriented art world. The way these two inequalities intersect, and especially the role of ‘love’ in both unpaid domestic care and (women) artists’ work in relation to the concepts of reproductive labour and emotional labour is central to her work. Warne Thomas is passionate about overcoming structural inequalities and barriers to access in the art world, and was consultant editor for ‘Structurally F~cked’, a pivotal report into artists’ pay and conditions published by a-n. She has since presented this research to the All Party Parliamentary Group for Visual Arts; at Tate committees and has worked with DACS and Artquest to research more equitable arts policy initiatives.